Ilustrada: Projeto busca fazer arte com celular em São Paulo

[This article was published in the section Ilustrada of the news paper Folha de São Paulo on 14/04/2012]

Projeto busca fazer arte com celular em São Paulo

Artistas do Labmov vão mapear a cidade a partir de realidade aumentada

Conversas e oficinas com comunidade local vão indicar pontos que devem ter referências captadas pelo celular

DE SÃO PAULO

O artista visual Lucas Bambozzi acredita que um celular não é apenas um aparelho de telefone, ou câmera digital, ou instrumento de navegação pelas redes sociais.

“É uma interface para produzir a mistura do real e do virtual, as duas naturezas da imagem”, define Bambozzi.

Nas mãos dele e da curadora Gisela Domschke, o telefone celular serve de ferramenta para se combinar arte e tecnologia.

As imagens que o aparelho é capaz de captar e processar são a fonte do projeto Labmov, que, a partir de amanhã, coloca literalmente seu carro na rua -uma Kombi transformada para receber os artistas visuais Pixel e Sander Veenhof (leia ao lado).

O veículo vai percorrer São Paulo para mapear a cidade a partir da tecnologia de realidade aumentada, tecnologia que associa certas formas ou objetos previamente definidos a fotos, vídeos ou mensagens poéticas.

Quando o celular é apontado para o ponto onde está uma dessas formas, o conteúdo é instantaneamente exibido na tela do telefone.

“Nosso objetivo é fazer com que obras surjam a partir das localidades por onde passar o Labmov, levando em conta as características de cada local, e também as referências afetivas e artísticas de quem está afastado dos grandes centros culturais”, explica Bambozzi.

É a partir da conversa entre eles e cada comunidade por onde passar a Kombi que serão escolhidos os pontos da cidade que devem entrar para o projeto.

Sander e Pixel também trabalham no desenvolvimento de um software próprio para a “leitura” dos pontos mapeados, que estará disponível para celulares com sistema Android ou iPhone.

Amanhã, o carro estará estacionado na praça da Biblioteca Mário de Andrade (r. da Consolação, 94), a partir das 15h, para uma oficina livre de narrativa aberta.

A programação completa do projeto está disponível no sitewww.labmovel.net(ELISANGELA ROXO)

last Sunday @ Biblioteca Mário de Andrade (São Paulo)

Last Sunday (14/04/2012), Pixel and Sander presented for the first time their project Narrative Navigation to the public in São Paulo.

busy days

During the past days, Pixel and Sander have been working a lot to be ready for their first presentation of the project that will happen this Sunday in front of the Biblioteca Mário de Andrade in São Paulo.

In this photo, at the Casa da Cultura Digital, they draft how they will add routes and narratives to their AR project.

routes for the Labmovel in São Paulo

[originally posted on the labmovel blog]

Pixel and Sander walked around São Paulo to find possible routes for the Labmovel. Check it out the map:

 

Pixel and Sander meet in São Paulo

[originally posted on the labmovel blog]

On the 3rd of April, both artists contemplated for the residency gathered with Gisela Domschke and Lucas Bambozzi, organizers from São Paulo, to define their further activities with the labmovel.
Photos by Lucas Rossi Gervilla.


From left to right: Sander Veenhof, Lucas Bambozzi and Pixel


Sander and Pixel


on the left Gisela Domschke, then Andrea Armentano and Carola Gonzalez


Pixel

Pixel and Sander

Statement #5: last days in Amsterdam (PT)

31/03/2012
Click here to listen to the statement || Clique aqui para escutar o depoimento

 

In this statement Pixel says how it was difficult during his last days in Amsterdam to define the final idea. “Any great ideas?”, asked Sander to Pixel. From this on they struggled in shaping the final idea to be developed and programmed in São Paulo. When he arrived in São Paulo and Sander was still in Amsterdam they decided to explore narratives. He finishes his statement by saying “Our next step is programming”.

Last week of Phase 1

The last week of this first phase was a busy one! Pixel and Sander had meetings with Jan Rothuizen to help with the possibility of adding story telling to the project. They also had a meeting with René Paré at the MADlab in Eindhoven to present their ideas, brainstorm and discuss about the use of Open Data in the project.

Pixel is going back to Brazil today and Sander will meet him there next week. Let’s get the Phase 2 starting!

2nd interview with Sander 19/03/2012

19/03/2012

Interview 2

Julia Bac and Sander Veenhof (Amsterdam)

J: You have been working with Pixel for 3 weeks already. How are you working together?

S: I think we are bringing our own backgrounds into the project. In this specific case is very helpful, we sort of swapped each other’s fascinations.

We usually meet up here (at the Nimk) and we had some Skype moments, we also installed a sketch board upstairs. It’s a very technical drawing, cause in one of the first discussions we discovered that it goes much faster if you just talk about the technical stuff. You can start at the other end, but sometimes is good to know what is the actual thing that you are creating. You have to know what it should be like. And we started this process as well.

J: What you mean is that the technique limits what you can do?

S: No, not really. But is good to know where there are choices to make. Sometimes choices arise from the technique. Some things we had in mind and we already think ahead what would be the consequences, how you can develop a user experience. In the end you have to create this technical thing and it doesn’t appear out of nowhere.

J: Is this how you usually work?

S: Yeah, there is this initial idea. You sort of envision it. Start sketching the scope, what do you want to do, and then you continue thinking on how to optimize it, how to change it a little. You develop a concept that includes a technical part and you have to jump back and forth between technique and concept.

J: In which “stage” do you see the project at this point?

S: I think it is defined. We have the basis now, except the implementation. Now comes the interesting part, which is proving that what we are creating could have impact and could be relevant and interesting enough. That’s what we have to prove right now.

J: What do you mean with the “basis”?

S: It’s the scope. We have the scope right now, which is what we want to achieve with all the requirements and the starting point. We have now something that we both feel confident that could be the right way, that in the end we’ll get to something interesting.

J: Why you decided to have two different projects?

S: I think that also has to do with the two countries and our personal different backgrounds, we kind of swapped our fascinations. I came in with a lot of experience with GPS based projects and I was inspired by Pixel’s work using marker-based AR. For Pixel, it was the other way around.

And makes sense because the QR codes projects would be really helpful in Brazil. The two countries are very different, so it makes sense to make something that its appropriate instead of making one project that can be quite a struggle to be relevant here and there, because the situation is quite different.

J: What was the most significant change that the project had since you started?

S: The most significant change was to decide to work in two things. Because the two locations are very different, makes sense to put all the ideas into two separate projects.

In the beginning we thought that maybe we could develop only one, but I think that doing two is better.

I think that the major brake through is going to come this week. You could ask the same question on Friday, because I hope we are going to have major change.

Meeting Jan Rothuizen on Wednesday will be helpful. We will have to tell him what we are doing and see if, someone that hears our idea for the first time, would understand what we are aiming.

J: You also have been discussing your project with the Nimk staff and Annet Dekker (the organizer). What was the most significant feedback you had so far?

S: I think they were all stressing the same point. We are in search of something that is not there, that doesn’t exist. But, we both strongly believe in it and we talk about it, as it already exists. With their questions they really force us to make what we are doing more precise, and ask ourselves: what is the special added value? Now we have to get the right showcases that also help us to understand what we are actually talking about.

My personal idea is that by this process we are learning a new tool. Then, getting use to the new possibilities of the things we are creating, I would also be able to take a step where we can create something that we cannot foresee yet. That’s what I hope. Because if it’s very predictable, you can ask: should you make it?

J: How could you achieve this situation? Would it come by experimenting?

S: You first do the obvious things and then in the end you get to something that is a perfect conceptual piece, I hope. But, it’s hard to get there in one go. Sometimes, you have this idea, that is brilliant from the beginning on, but sometimes you just shape the conditions by exploring further and then suddenly it’s like a puzzle, that all parts connect.

Statement #4: (re)shaping the concept (PT)

17/03/2012
Click here to listen to the statement || Clique aqui para escutar o depoimento

In this statement Pixel gives a summary of his week in The Netherlands: His visit to the exhibition at the Mediamatic. The meetings at WORM and V2 in Rotterdam. At the V2 he got the chance to see the hacker space, where he said was a “brother” of the Casa da Cultural Digital, in São Paulo, where the MemeLab is located. After these meetings in Rotterdam he felt the need to discuss with Sander, once more, about their concept.

 

 

 

meeting

On the 19/03, there was another meeting at the Nimk. The artists showed to Annet Dekker the last discussions and developments they had. Time flies and this is the last week of Pixel’s stay…

The meeting was once more to make the concept more clear. This week Pixel and Sander will meet a writer, to see the possibility of cooperation in the project. Because of this appointment, Annet suggested that they should make a draft of their idea, concerning the following aspects:
- framework of the work, showing specific locations and target group;
- what kind of narrative they would like to use?
- what is the relevance of their project?

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