By Heath Bunting
Date: Thursday, 20 October 2011
Time: 10:30 AM - 5:00 PM
Location: Netherlands Media Art Institute (NIMk)
Keizersgracht 264
Amsterdam
An identity is a mutable object. It’s negotiated between people, organizations, and institutions, formalized in documentation, actions, and possessions. In this workshop Heath Bunting (UK) shows how you create your own legal identity. As Bunting demonstrates, identities can be constructed over time by developing relationships to place a given “person” within a web of shopping cards, cell phones, bills, government correspondence, and other “personal” data. Identity Bureau challenges the idea of personhood by showing how materially produced an identity is.
Heath Bunting explores the porosity of borders. Often performing as an interventionist or prankster and finding form within everyday acts of resistance, Bunting's work reaches its public through systems of documentation and distribution including photography, print publishing and the web. Dismantling the divisions separating art and everyday life, Bunting prioritises information and action. His work is based on creating open and democratic systems by modifying communication technologies and social systems.
The workshop is limited to 15 participants. The participation fee is € 10,00 (€ 5,00 for students) including refreshments and entrance to the exhibition The Art of Hacking.
For more information and registration, please email to anouk@nimk.nl
Heath Bunting‘s work straddles various modes of action, documentation and visualisation. Bunting is best known for his involvement in the formation of the net.art movement in the 1990s and as a founder of irational.org. His practice may be viewed in parallel with the tendencies of historical movements such as Conceptual Art or the Situationist International. Dismantling the divisions separating art and everyday life, Bunting prioritises information and action. His work is based on creating open and democratic systems by modifying communication technologies and social systems. He explores the porosity of borders, both in the physical space and online. Often performing as an interventionist or prankster and finding form within everyday acts of resistance, Bunting's work reaches its public through systems of documentation and distribution including photography, print publishing and the web.
Bunting’s works have been commissioned and exhibited at a range of venues, including The InterCommunication Center (ICC), Tokyo; Apex Art, New York; The New Museum, New York; Tate, London; Documenta X, Kassel; The Banff Centre, Canada; Lovebytes Festival, Sheffield; Art Teleporticia, Moscow; The Arts Council England; Proboscis, London; The Watershed, Bristol; and DA2 London.
Some of his well-known works are: readme.html (1997), which relates to the issue on the Internet of visibility versus invisibility. BorderXing Guide (Tate commission, 2002) in which he comments on the way in which governments and associated bureaucracies restrict movement between borders. The Status Project (2004–2008) examines how the construction of our ‘official identity’ as a collection of data influences how we can navigate the social space, the Internet and private or governmental databases. And Map of Terrorism (Tate commission, 2008), in which he plots on a map the information required when making an online purchase in relation to new legislation defined in the UK government’s 2006 Terrorism Act.
This workshop is organised by NIMk and SKOR | Foundation for Art and Public Domain.
www.nimk.nl
www.skor.nl
