Following up their participation in ‘the MEDIA_CITY’ workshop in Amsterdam (March 2010), ‘dala’ was  interested to connect the project and synergies developed in Amsterdam with the city of Durban in South Africa from July 01 to July 11, 2010. Thus, facilitating a creative platform between creative practitioners from a variety of backgrounds called City Walks.

>What is the architecture of the 21st century?

>What does architecture means for  a homeless?

>How is the African market of the 21st century?

Deconstructing the city, looking for the micro interventions that lead to macro development, questioning fear and control, looking beyond surface, finding eye contact, waiting for the beggarsproof bus stops, witnessing the disruption of  markets that develop along the people’s walk…

These are some of the resulting questions and investigations of  dala’s initiative  City Walks through the city of Durban, where they shared with us their views on urban space negotiation and their  believe in the transformative role of creativity in building safer and more liveable cities. This edition of City Walks also has an added component focused on experiencing the city of Durban in the context of the world cup 2010, where large international audiences are expected and analizes how this influx will negotiate and share public spaces with the main local  cultural groups, the Zulus, Afrikaners, Indians and English.

dala’s initiatives all revolve around re-imagining the use and expression in and of public space. Re- definition and re-creation, and transformation implies often conflict that is an essential measure of creative practices, that underpins the dynamics of contemporary cities dealing with the flux of dislocated cultural identities challenging the dominant meta narratives of Globalization.

After this intense walk through the city of Durban we  started an artistic dialogue with local artists that would help us to deconstruct the mediatic image of South African Society, introducing in our agenda some other forms of artistic participaion that listen to the voice of the local communities and that leaves behind not only traces but seeds of large shadows.

Intersections are physical, conceptual, psychological and philosophical spaces where people, ideas and objects interact. Intersections mark meeting points in our cities and lives, some fleeting, others profound. The idea City Walk is to explore the concept of intersecting spaces in South Africa in the context of the 2010 World Cup. How does our socio-political and physical environment condition these relationships? Through this discussion, how can we develop meaningful dialogue towards a more humane and just society?

The South African creative collective ‘dala’ has invited TIME_FRAME_NIMk to take part in a laboratory to explore the impact of the 2010 World Cup on South African cities from a grounded and people-centred perspective. The popular media generally only documents large-scale international events from a particular perspective.

Although these events bring excitement and possibility to cities, they effect and impact on people and spaces in different ways. This laboratory aims to explore these complexities, focusing on how stories, people and spaces intersect in the context of this international event.

dala is hosting 10 creative practitioners for a 10 day new media experiment in Durban: Miguel Petchovsky (Angola / Netherlands), Elena Perez Hernandez (Spain / Netherlands), Mayura Subhedar (India / Netherlands), Walter Langelaar (Netherlands), Lilia Perez Romero (Mexico / Netherlands), Doung Jahangeer (South Africa), Rike Sitas (South Africa), Dean Henning (South Africa), Zen Marie (South Africa) and Peter McKenzi (South Africa).

These laboratory involves the following events:

> Seminar with Mayura Subhedar, Walter Langelaar, Lilia Perez Romero
Wednesday // 7 July // 9am – 12am // Vega, Westville (RSVP Joy 031 266 2595 / joy@vegaschool.com)
> Lecture with Heiner Holtappels, Director of NIMk // Screening of NIMk video art collection // Final presentation of artists work
Saturday // 10 July // 4pm – 7pm // KZNSA (RSVP Emme 031 277 1705 / gallery@kznsagallery.co.za)
> TIME_FRAME exhibition opening at the Durban Art Gallery
Tuesday // 13 July // 6pm // DAG (project space is open from Monday 5 – 19 July – 2 weeks only!)

From 27 January to 7 February a selection of One Minute videos from African makers has been presented as part of the Africa focus of the International Rotterdam Film Festival 2010. They are the result of a series of workshops and presentations organized by The One Minutes and its African partners in different countries. They prove that visual culture in Africa is very much alive and young artists/students are eager to make video productions that reflect on local and global questions from a personal and artistic point of view.

But the question is: How can The One Minutes, as a global platform for short videos, contribute to video art / visual culture in Africa?

We have been invited to join them in a discussion/brainstorm meeting about video production in Africa, where the needs and requirements and how can The One Minutes and its partners in Africa contribute to local, regional and pan African dynamics, was further discussed.

This semi-public meeting was divided in two parts:

For the morning session they invited Ousseynou Wade (Dakar Biennale), Majid Seddati (film and video festival, Casablanca), C. Ktydz Ikwuemesi (Art Republic and Pan African Circle of Artists, NIgeria), Guy Wouete (artist/Rijksakademie, Cameroon), Luc Fosther Diop (artist/Rijksakademie, Cameroon) to prepare short presentations about their experience as collaborators. During the lunch we would sit around the table discussing ideas and proposals how to practically develop The One Minutes Africa in the coming years.

Time Frame found very interesting those issues relates with sustainability in terms of :

-Providing infrastructures for locals to keep developing skills, researching and developing their own initiatives with interantional support.

-Ensuring regularity in the organization of upcoming editions and self-organization. Is it only a question of motivation?

- Presenting international channels of distributions so artists can understand what cames after video production and find their own way into the art market. Fostering also local distribution, the process should start from the bottom ideally.

- If the one minutes can’t be everywhere with regularity, then it might be better to strategically focus on a few countries and partnership with other initiatives on video art taking place in those countries in parallel.

We are very fond of this last idea, international cooperation and cultural intervention in Africa probes to be a great challence. We should foster collaboration between international foundations, share resources, energies and experience. Only then we will be able to design experiences with a greater impact. It’s not about colonizing but about sharing.

Thanks ‘The One Minutes’ for sharing this with us,

and we hope fruitful collaboration might come in the future.

TIME FRAME

Unlike earlier editions, this year’s get-together was accompanied by a public side-program consisting of a seminar, a lecture and a video screening. October 12,14, 2009.

VIEWS ON AFRICA IN THE AGE OF GLOBALISATION

A semi-public seminar with Kobena Mercer

In his introductory lecture Kobena Mercer presented a critical overview of key issues arising in the reception of international exhibitions of African art over the last ten years or so. His talk highlights some of the limitations of existing conceptual frameworks while pointing to opportunities opened up by art-historically grounded conceptions of modernity and globalisation.

After this theoretical part, African curators such as Koyo Kouoh (Senegal), Didier Schaub (Cameroon), Nonto Ntombela Mabongi (South Africa) and Oyinda Fakeye (Nigeria) would present impressions of their work.

AFRICA REFLECTED ON VIDEO at Netherlands Media Art Institute

The programme was comprised of artist’s films and videos which, coming from different points of view, all focus on themes and ideas relating to the continent. Works by Jude Anogwith, Leo Asemota, Theo Eshetu, Salifou Lindou, Vincent Meessen, Marcel Odenbach, Vitshois Mwilambwe Bondo, Guy Wouete, Emeka Ogboh and others will be screened. There will also be short presentations by Vincent Meessen and the curators Oyinda Fakeye (CCA, Lagos), Koyo Kouoh (Dakar), Didier Schaub (Doual’art) and others.

TIMES OF CONFUSION

A public lecture by Simon Njami

In this lecture Simon Njami reflected on the idea of the ‘African artist’. According to him, the difference made between African and Africa, between identity and nationality, between expression and politics is in itself political. His argument is based on the conviction that true expression does not exist without political reference. The artists talked about all have one thing in common: Africa. And yet, Njami advocates that the way of being African is individualistic and not self-evidently connected to a collective concept. “We might argue here” he writes in an abstract of his lecture, “that one is not born African – one becomes African”.

On October 25, 2009, Miguel Petchkovsky and Heiner Holtapples met Dr, Manuel Veiga, Ministry of Culture of Cabo Verde, and the multimedia artist Mito Elias, in order to discuss the implementation of the project Tchuba_ NA Vulcão in Cabo Verde, within the context of TIME FRAME.

The meeting took place in the Cultural Centre Cape Verde in Rotterdam. It seems that this project comes at an excellent time because Cape Verde needs to develop strategies and methodologies to promote audiovisual creative practices in order to provide sustainable training to new generations of artists in the field of media and digital art.
It was also discussed the possibility of building an archive that hosts and promotes those audiovisual works based on the rich Cape Verde oral literature, where the traditional heritage meets the contemporary culture, benefiting future generations and reaching international audiences.

Dr. Manuel Veiga seems to be very fond of the project and is considering to include it in the program for the celebration of the independence of Cabo Verde next summer 2010.

Ruth Belinga (artist, curator, Yaounde),
Goody Leye (artist, founder of artist’s initiative Art Bakery, Douala),
Herve Youmbi (artist, member of the collective Cercle Kapsiki, Douala),
Achilleka Komguem (artist, editor of newspaper Diartgonale, Yaounde),
Lionel Manga (writer, Douala),
Achille Atina (cultural mediator, Douala).

We had the opportunity to see their work and discuss the needs of contemporary art scene in Cameroon as well as the disfficulties and strategies that had to be developed in order to  hack the current system.

Artists have developed a strong political vision of the role of art in the society and are actively challenging existing definitions of art, while developing critical responses to the emergencies of every day life. They organise themselfes in collectives and are engaged in using art in community projects in order to create a process of awareness, emancipation and empowerment.Through public art projects and community events, these artists and collectives are taking responsability and actively working to enhance .